A CERTAIN AMOUNT OF CLARITY, Emmanuel Van Der Auwera — Mercatorfonds & Yale University Press, 228 pages, 20 x 30 cm — Editorial Design (BE / US)
VILLA ARSON NICE (Finalist project not realised) — Complete Graphic Identity (FR)
GIJS VAN VAERENBERGH Architecture Studio — Website: www.gijsvanvaerenbergh.com / Development: Variable (BE)
EXCESS SUPPORT, Sean Crossley — MER Books, 176 pages, 21 x 27 cm — Editorial design (BE)
LA PATINOIRE ROYALE BACH GALLERY, BRUSSELS — Complete Graphic Identity (BE)
ATLAS OF PROPOSALS III, Gijs Van Vaerenbergh, LEUVEN — Exhibition & editorial design (BE)
AS FOUND, Experiments in Preservation — Flanders Architecture Institute, 174 pages, 21 x 28 cm — Editorial Design (BE)
LE BOTANIQUE MUSEUM, "Every Minute Is Lettered", Boris Thiébaut, Exhibition 02.09—29.10.2023 — Graphic Identity & Editorial Design (BE)
HORACE, French cosmetics brand — Graphic Identity (FR)
MUSEE MODE & DENTELLE / MODE & KANT MUSEUM BRUSSELS — Complete Graphic Identity (BE)
EVERYTHING PASSES EXCEPT THE PAST, Decolonising Ethnographic Museums, Film Archives, and Public Space, Goethe-Institute — Sternberg Press, 308 pages, 14 x 21 cm — Editorial Design (DE / US)
WATCHING, Julien Saudubray — Snoeck Publishers, 128 pages, 21 x 27 cm — Editorial Design (BE / FR)
ENSAV, École Nationale Supérieure des Arts Visuels de La Cambre 2018—2022 — www.lacambre.be — Complete Graphic Identity (BE)
ENSAV, École Nationale Supérieure des Arts Visuels de La Cambre, open doors 2018—2024 — www.lacambre.be — Complete Graphic Identity / Editorial Design (BE)
TOOLS FOR THE BETTER, Arp — Complete Graphic Identity (BE)
GIJS VAN VAERENBERGH, Wandering — Valerie Traan Gallery, Antwerp — 64 pages, 29,7 x 10,2 cm — Editorial Design (BE)
BRUSSELS TOUCH, Fashion and Lace Museum of Brussels — Lannoo, 224 pages, 22,5 x 29 cm — Editorial Design (BE)
PARCOURS D'ARTISTES / NUIT DES GALERIES 2022, BRUSSELS — Complete Graphic Identity (BE)
CONCEPTUAL FINE ARTS, an online publishing platform (CFArts), a gallery visiting program in Milan (CFAlive), and a communication agency (CFAgency), Milan — www.conceptualfinearts.com — Graphic Identity (IT)
BE GOOD, IF YOU CAN'T BE GOOD, BE GOOD AT IT. Boom, Boom, Boom, Boom, E.Giolo & R.J.Arthur — 312 pages, 18,5 x 24,5 cm — Editorial Design (BE)
ON & FOR, Auguste Orts — 160 pages, 16,5 x 24 cm — Editorial Design (BE)
LE BOTANIQUE MUSEUM, "Spectre" Exhibition 16.06—07.08.2022 — Graphic Identity (BE)
EVERYTHING PASSES EXCEPT THE PAST, Goethe-Institute Brussels — Graphic Identity (BE)
LA GRANDE SURFACE DE REPARATION, Gilles Pourtier — Poursuites éditions, 76 pages, 190 x 260 mm — Editorial design (FR)
BAREND CORNELIS KOEKKOEK HAUS — www.koekkoek-haus.de — Complete Graphic Identity (DE)
PIERRE-EMMANUEL VANDEPUTTE, designer — www.pierreemmanuelvandeputte.com — Complete Graphic Identity (BE)
A PROJECT FOR LATER, Pauline Miko — 36 pages, 27 x 36 cm — Editorial design (BE)
SAND, OIL AND GUTS — 64 pages, 30 x 42 cm — Editorial design (NL)
L'OEIL QUI ÉCOUTE, Marie Jambers — 8 posters, 42 x 59,4 cm — Editorial design (BE / CH)
ENSAV — Yearbook 2018, 112 pages, 21 x 29,7 cm — Editorial design (BE)
WRONG MOVES, DEAD ENDS — Publication co-produced by the KIKK Festival, Goethe-Institut Brussels, Namur Cultural Center, Fédération Wallonie Bruxelles, 156 pages, 21 x 29 cm — Editorial & type design (BE)
WRONG MOVES, DEAD ENDS — Speculative Design Residency with the Goethe-Institut Brussels, Namur Cultural Center and the KIKK Festival www.goethe.de — Object design (BE)
ANOUCK VAN PUYVELDE, designer — www.anouckvanpuyvelde.be — Complete Graphic Identity (BE)
ABSTRACT CARBONARA, Sean Crossley — 36 pages, 21 x 29,7 cm — Editorial design (BE)
HYMN TO THE MUNDANE — Art Direction / Graphic Identity (performances, invitations) (NL)
HYMN TO THE MUNDANE — 52 pages, 21 x 29,7 cm — Editorial design (NL)
SAUSSICE restaurant & caterer — Rue de Roumanie 54/56, 1060 Brussels — Graphic Identity (BE)
LE BAIN DES DAMES wine cellar, Brussels — Chaussée de Vleurgat 186, 1050 Brussels — www.lebaindesdames.be — Graphic Identity (BE)
CAN PEP REY — Complete Graphic Identity (DE)
LABOR JACKETS — Labor Jackets, onesize — Print and Fashion Design (NL)
LISA FOERSTER — Art Direction / Graphic Identity (DE)
NALEBINDING — Complete Graphic Identity (BE)
TRICLINIUM (in collaboration with Sandro Della Noce) — Laureate of the Design Parade Toulon 2019, Villa Noailles, www.villanoailles-hyeres.com — Scenography & Furniture Design (FR)
TRICLINIUM (in collaboration with Sandro Della Noce) — Laureate of the Design Parade Toulon 2019, Villa Noailles — project supported and hosted by MAD Brussels, from the 28th November until the 16th February 2020. www.mad.brussels.be video ©Showing_the_show— Scenography & Furniture Design (BE)
LOCAL DISCOVERY MENU — Participation in the group show 'VIEWS - a visual dialogue about the Canal Zone' at MAD Brussels, 05.09.19 - 29.09.19 — print on waterproof canvas, 350 x 288 cm — Installation (BE)
CHANEL, Visual Merchandising Prize (in collaboration with Sandro Della Noce) — Design Parade Toulon 2019, Villa Noailles — Scenography & Furniture Design (FR)
A CERTAIN AMOUNT OF CLARITY, Emmanuel Van Der Auwera — Mercatorfonds & Yale University Press, 228 pages, 20 x 30 cm — Editorial design (BE / US)
VILLA ARSON NICE (Finalist project not realised) — Complete Graphic Identity (FR)
GIJS VAN VAERENBERGH Architecture Studio — Website: www.gijsvanvaerenbergh.com / Development: Variable (BE)
EXCESS SUPPORT, Sean Crossley — MER Books, 176 pages, 21 x 27 cm — Editorial design (BE)
LA PATINOIRE ROYALE BACK GALLERY, BRUSSELS — Complete Graphic Identity (BE)
ATLAS OF PROPOSALS III, Gijs Van Vaerenbergh, LEUVEN — Exhibition & editorial design (BE)
HORACE, French cosmetics brand — Graphic Identity (FR)
AS FOUND, Experiments in Preservation — Flanders Architecture Institute, 174 pages, 21 x 28 cm — Editorial design (BE)
LE BOTANIQUE MUSEUM, "Every Minute Is Lettered", Boris Thiébaut, Exhibition 02.09—29.10.2023 — Graphic Identity & editorial design (BE)
MUSEE MODE & DENTELLE / MODE & KANT MUSEUM BRUSSELS — Complete Graphic Identity (BE)
EVERYTHING PASSES EXCEPT THE PAST, Decolonising Ethnographic Museums, Film Archives, and Public Space, Goethe-Institute — Sternberg Press, 308 pages, 14 x 21 cm — Editorial design (DE / US)
WATCHING, Julien Saudubray — Snoeck Publishers, 128 pages, 21 x 27 cm — Editorial design (BE / FR)
TOOLS FOR THE BETTER, Arp — Complete Graphic Identity (BE)
GIJS VAN VAERENBERGH, Wandering — Valerie Traan Gallery, Antwerp — 64 pages, 29,7 x 10,2 cm — Editorial design (BE)
ENSAV, École Nationale Supérieure des Arts Visuels de La Cambre 2018—2022 — www.lacambre.be — Complete Graphic Identity (BE)
ENSAV, École Nationale Supérieure des Arts Visuels de La Cambre, open doors 2018-20 — www.lacambre.be — Complete Graphic Identity (BE)
BRUSSELS TOUCH, Fashion and Lace Museum of Brussels — Lannoo, 224 pages, 22,5 x 29 cm — Editorial design (BE)
PARCOURS D'ARTISTES / NUIT DES GALERIES 2022, BRUSSELS — Complete Graphic Identity (BE)
CONCEPTUAL FINE ARTS, an online publishing platform (CFArts), a gallery visiting program in Milan (CFAlive), and a communication agency (CFAgency), Milan — www.conceptualfinearts.com — Graphic Identity (IT)
BE GOOD, IF YOU CAN'T BE GOOD, BE GOOD AT IT. Boom, Boom, Boom, Boom, E.Giolo & R.J.Arthur — 312 pages, 18,5 x 24,5 cm — Editorial design (BE)
ON & FOR, Auguste Orts — 160 pages, 16,5 x 24 cm — Editorial design (BE)
LE BOTANIQUE MUSEUM, "Spectre" Exhibition 16.06—07.08.2022 — Graphic Identity (BE)
EVERYTHING PASSES EXCEPT THE PAST,
Goethe-Institute Brussels
Graphic Identity (BE) — 2019
LA GRANDE SURFACE DE REPARATION, Gilles Pourtier — Poursuites éditions, 76 pages, 190 x 260 mm — Editorial design (FR)
BAREND CORNELIS KOEKKOEK HAUS — www.koekkoek-haus.de — Complete Graphic Identity (DE)
PIERRE-EMMANUEL VANDEPUTTE, designer — www.pierreemmanuelvandeputte.com — Complete Graphic Identity (BE)
SAND, OIL AND GUTS — 64 pages, 30 x 42 cm — Editorial design (NL)
L'OEIL QUI ÉCOUTE, Marie Jambers — 8 posters, 42 x 59,4 cm — Editorial design (BE / CH)
ENSAV — Yearbook 2018, 112 pages, 21 x 29,7 cm — Editorial design (BE)
WRONG MOVES, DEAD ENDS — Publication co-produced by the KIKK Festival, Goethe-Institut Brussels, Namur Cultural Center, Fédération Wallonie Bruxelles, 156 pages, 21 x 29 cm — Editorial & type design (BE)
WRONG MOVES, DEAD ENDS — Speculative Design Residency with the Goethe-Institut Brussels, Namur Cultural Center and the KIKK Festival www.goethe.de — Object design (BE)
ANOUCK VAN PUYVELDE, designer — www.anouckvanpuyvelde.be — Complete Graphic Identity (BE)
ABSTRACT CARBONARA, Sean Crossley — 36 pages, 21 x 29,7 cm — Editorial design (BE)
HYMN TO THE MUNDANE — Art Direction / Graphic Identity (performances, invitations) (NL)
HYMN TO THE MUNDANE — 52 pages, 21 x 29,7 cm — Editorial design (NL)
SAUSSICE restaurant & caterer — Rue de Roumanie 54/56, 1060 Brussels — Graphic Identity (BE)
LE BAIN DES DAMES, Brussels — www.lebaindesdames.be — Graphic Identity (BE)
CAN PEP REY — Complete Graphic Identity (DE)
LABOR JACKETS — Labor Jackets, onesize — Print and Fashion Design (NL)
LISA FOERSTER — Art Direction / Graphic Identity (DE)
NALEBINDING — Complete Graphic Identity (BE)
TRICLINIUM (in collaboration with Sandro Della Noce) — Laureate of the Design Parade Toulon 2019, Villa Noailles, www.villanoailles-hyeres.com — Scenography & Furniture Design (FR)
CHANEL, Visual Merchandising Prize (in collaboration with Sandro Della Noce) — Design Parade Toulon 2019, Villa Noailles — Scenography & Furniture Design (FR)
LOCAL DISCOVERY MENU — Participation in the group show 'VIEWS - a visual dialogue about the Canal Zone' at MAD Brussels, 05.09.19 - 29.09.19 — print on waterproof canvas, 350 x 288 cm — Installation (BE)